Thursday, June 17, 2010

CBS SITCOM SEEKING Studio Audience Members

RARE SCREENING OF STAN BRAKHAGE FILMS AT FILMFORUM Sunday June 20




Los Angeles Filmforum presents
THE SOUND CINEMA OF STAN BRAKHAGE
Sunday June 20, 2010, 7:30 pm
At the Egyptian Theatre, 6712 Hollywood Blvd. at Las Palmas, Los Angeles

Admission for Filmforum screenings: $10 general, $6 students/seniors, free for Filmforum members
Advance ticket purchase available through Brown Paper Tickets at
http://www.brownpapertickets.com/event/113794

Among his more than 350 personal films, Stan Brakhage (1933-2003) produced only 27 works with soundtracks (a complete list appears below). In this program, five of these sound films will be shown, representing a variety of approaches to what Brakhage referred to as "the `sound problem' of motion picture aesthetic." (We hope you had a chance to join us for two other Brakhage sound films – Visions in Meditation #3 and Scenes From Under Childhood, Section One – which were screened in our program on June 6, 2010.)

Brakhage created his own soundtracks for a number of the films (three of which are included tonight), but also worked with composers, who either created new pieces for him, or authorized existing pieces to be used. Many of them were also friends, including James Tenney (Interim, Christ Mass Sex Dance, "..." Reel Five), Rick Corrigan (Visions in Meditation #3, Boulder Blues and Pearls And..., Faust 4, others), and Joel Haertling (I... Dreaming, Loud Visual Noises, others).

Although music and sound were of great significance to Brakhage, sound cinema was a problematic area that he felt would often create more unresolvable conflict in his work than the harmony of spirit that might be desired. Brakhage approached the visual and rhythmic aspects of his films in such an intensely musical way, that any attempt at soundtrack might only create distraction, conflict, and competition between his visual music and its aural counterpart. Nevertheless, he did work with sound on 27 occasions, sometimes to his great personal satisfaction (Passage Through: A Ritual), sometimes only to resigned tolerance (Scenes From Under Childhood, Section One).

Program curated and introduced by Mark Toscano, preservationist at the Academy Film Archive. Prints from the Academy Film Archive and Canyon Cinema.

STAN BRAKHAGE, 1933-2003
Born in Kansas City, Missouri in 1933, Brakhage moved to Denver, Colorado at the age of six. He sang as a boy soprano soloist, dreamed of being a poet, and graduated from South High School in 1951 with a scholarship to Dartmouth. After one semester, he left to pursue a life in the Arts, returning to Denver to make his first film in 1952.

Before his death in March, 2003, Brakhage had completed more than 350 films, ranging from the psycho-dramatic works of the early 1950s to autobiographical lyrics, mythological epics, "documents," and metaphorical film 'poems' -- variously employing his uniquely developed hand-held camera and rapid editing techniques, multiple superimpositions, collages, photographic abstractions, and elaborate hand-painting applied directly to the surface of the film. A deeply personal filmmaker, Brakhage's great project was to explore the nature of light and all forms of vision – while encompassing a vast range of subject matter. He frequently referred to his works as "visual music" or "moving visual thinking." The majority of his films are intentionally silent.

Brakhage taught at the School of the Art Institute of Chicago and as Distinguished Professor of Film Studies at the University of Colorado at Boulder. The recipient of three Honorary Degrees and numerous prestigious awards, he lectured extensively on filmmaking and the Arts, and is the author of 11 books – including his seminal 1963 work, Metaphors On Vision, and his more recent series of essays, Telling Time. - Marilyn Brakhage, December 2007

Blue Moses (1962, b/w, sound, 10.5min)
Sound by Stan Brakhage.
"Blue Moses attacks the dramatic film as an untenable convention. Brakhage temporarily accepts the principles of the realists of film theory who argue that cinema arises from the interaction of the artist with exterior reality in front of the camera. But he rebuts them with a demonstration of how fragile their sense of exterior reality is." (P. Adams Sitney)
Restored print from the Academy Film Archive.

Day Break and White Eye (1957, b/w, sound, 9.5min)
Sound by Stan Brakhage.
"These two films investigate frustrations in loving, DAYBREAK with a girl as object, WHITEYE with the camera as subject." (Stan Brakhage)
"...I studied informally with John Cage and Edgard Varèse and developed a friendship with them, they permitted me to sit in on sessions, overhear music lessons, and out of this relationship I came to understand that I was not obsessed with sound like I was with vision. And so at times I certainly forced things, I have films that have whole soundtracks that were much struggled with and did have moments of obsession involved in the making. For instance Day Break and White Eye, where the whole track was of the integrity of the image. By integrity I mean where the film is integral unto itself, it has its own internal relationships which make it have a life in the world." (Stan Brakhage, 5/19/73 at Millennium Film Workshop)

Christ Mass Sex Dance (1991, color, sound, 5.5min)
Sound by James Tenney: "Blue Suede".
"Because it is so highly edited, James Tenney's `Blue Suede' is so meaningfully conjunctive with the possibilities of cinema. Its editing is for the purpose of creating metaphor, so that whatever the words are of `Blue Suede Shoes', recutting allows submerged grunts and vulgarities to emerge from the track. And that's what compelled me to put imagery appropriate and meaningful to that and make Christ Mass Sex Dance. It was an extremely complex work to make, but for me what it does very simply is give you something truer to a normal thought process." (Stan Brakhage, 2/6/93 at Millennium Film Workshop)

Fire of Waters (1965, b/w, sound, 6.5min)
Sound by Stan Brakhage.
"For years I had imposed the discipline on myself that if ever a single sound was needed anywhere on a track to go with an image I would put that sound in even if no other sound was needed in the whole film. That permitted me when I felt the need of slowed-down bird sounds (that is a bird's cry slowed down so that it became like a western musical instrument), to put it in where I felt it was needed. Then that caused me to feel the need of a sound of wind rising to a certain pitch at the very beginning. At the end then the speeded-up sound of Jane giving birth to Myrenna occurs on two levels in the last shot of the house. It definitely sounds like a dog in somebody's backyard in the drama sense of that scene, yelping in pain. It does actually carry the sense of a terror beyond that. That's how the sound came into it and balanced out." (Stan Brakhage, quoted by P. Adams Sitney in Visionary Film)

Passage Through: A Ritual (1990, color, sound, 49min)
Sound by Philip Corner: "Through the Mysterious Barricade (after F. Couperin) LUMEN 1 (for Stan Brakhage)".
"When I received the tape of Philip Corner's Through the Mysterious Barricade, Lumen 1 (after F. Couperin), he included a note that thanked me for my film, THE RIDDLE OF LUMEN, he'd just seen and which had in some way inspired this music. I, in turn, was so moved by the tape he sent I immediately asked his permission to `set it to film.' It required the most exacting editing process ever; and in the course of that work it occurred to me that I'd originally made THE RIDDLE OF LUMEN hoping someone would make an `answering' film and entertain my visual riddle in the manner of the riddling poets of yore. I most expected Hollis Frampton (because of Zorn's Lemma) to pick up the challenge; but he never did. In some sense I think composer Corner has - and now we have this dance of riddles as music and film combine to make `passage,' in every sense of the word, further possible." (Stan Brakhage)
"Six years ago, my whole life collapsed and I experienced psychodramatic sound combinations. I began working with composers again, and very rapidly came to a setting of picture to sound, so that in fact it was the sound then that would engender me to do pictures. The happiest combination has been Passage Through: A Ritual set to music by Philip Corner." (Stan Brakhage, 2/6/93 at Millennium Film Workshop)

Admission for Filmforum screenings: $10 general, $6 students/seniors, free for Filmforum members
Advance ticket purchase available through Brown Paper Tickets at
http://www.brownpapertickets.com/event/113794

This screening series is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission and the Department of Cultural Affairs, City of Los Angeles. Additional support generously provided by the American Cinematheque.

For the screenings at the Egyptian Theater:
Parking is now easiest at the Hollywood & Highland complex. Bring your ticket for validation. Parking is $2 for 4 hours with validation. Enter that complex on Highland or Hollywood. The theater is 1.5 blocks east.
------------ --------- ----
Coming soon to Los Angeles Filmforum:
June 27 - Richard Myers: Deathstyles - Richard Myers in person from Ohio
July 18 - Chris Kennedy - in person from Toronto

**For full and up-to-date information, please visit our website at
http://www.lafilmforum.org or email us at lafilmforum@yahoo.com **

To see what else is playing at the American Cinematheque, please see
http://www.americancinematheque.com

***For a complete listing of alternative films in Los Angeles, check
www.filmradar.com

Los Angeles Filmforum is the city's longest-running organization
dedicated to weekly screenings of experimental film, documentaries,
and video art. This is our 34th year!

SCREENINGS AND Q&A OPPORTUNITIES WITH JOEL SCHUMACHER

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Architect of Aesthetic: A Joel Schumacher Tribute

NOTE: Some Screenings in this series at the Egyptian, others at the Aero Theatre!

Joel Schumacher began his career as a costume designer, and his impeccable sense of visual design is evident in all of his directorial efforts, from his feature debut THE INCREDIBLE SHRINKING WOMAN to his recent Sundance triumphTWELVE – yet this is no mere stylist. Throughout his career as a writer and director, Schumacher has traversed a wide variety of genres, subjects, and tones to create a diverse body of work. Dramas such as FALLING DOWN andFLATLINERS coexist with legal thrillers (THE CLIENT, A TIME TO KILL), and horror films (THE LOST BOYS, TOWN CREEK), while gritty, modestly budgeted character studies such as TIGERLAND and VERONICA GUERIN alternate with glossy studio franchise films including Schumacher's two BATMAN entries.

Join us for a selection of Schumacher's past works (including a 25th anniversary screening of ST. ELMO'S FIRE) as well as an advance screening of his latest film, TWELVE.

Friday, June 25 – 7:30 PM

Joel Schumacher Double Feature:FALLING DOWN, 1993, Warner Bros., 113 min. Dir. Joel Schumacher. When defense worker Michael Douglas loses his job and finds himself estranged from his family, he snaps and becomes a vigilante fighting for all the things he feels he and his generation have lost. The result is a chilling and moving satire thanks to Douglas’ pitch-perfect performance and Schumacher's empathetic treatment of his antihero.Trailer

FLATLINERS, 1990, Sony Repertory, 115 min. Dir. Joel Schumacher. An all-star cast of med students (Kiefer Sutherland, Julia Roberts, Kevin Bacon, William Baldwin, Oliver Platt) experiments with death, stopping each others' hearts and "flatlining" before being revived. Until, that is, they soon discover their exercise has unleashed the secrets of their past in a supernaturally terrifying manner.Trailer |Buy Tickets Director Joel Schumacher will introduce the screenings.


Saturday, June 26 – 7:30 PM

Advance Screening! TWELVE, 2010, Hannover House, 93 min. Dir. Joel Schumacher. In this unsettling adaptation of Nick McDonell's acclaimed novel, Chace Crawford plays White Mike, a privileged Manhattan teenager who drops out of school to sell drugs to his spoiled friends. When his cousin is murdered and his best friend is charged with the crime, Mike starts to grasp the real consequences of the life he has chosen. Emma Roberts, Rory Culkin, Curtis "50 Cent" Jackson, Ellen Barkin, and Kiefer Sutherland comprise the stellar supporting cast. Discussion following the film with director Joel Schumacher and other guests to be announced. Trailer | Buy Tickets

BEST OF LA HIGH SCHOOL SHORTS at the Egyptian June 19

Saturday, June 19 - 1:00 PM

TRIPLEPLAY: A SHOWCASE OF SHORT FILMS FROM THE STUDENTS OF CLEVELAND, HOLLYWOOD AND KENNEDY HIGH SCHOOLS, 2010, 90 min. From three of the top film and video programs in the Los Angeles Unified School District, this collection of narrative short films offers the best of what the digital revolution has brought to L.A. high schools. Discover tomorrow's Hollywood superstar filmmakers at the beginning of their careers. Brian Lowry of Variety writes, "These are the kind of teenagers you actually root for to make it." Special admission price: $5.00. Buy Tickets

WEB ENTERTAINMENT SEMINAR at the Egyptian Theater Mon June 21

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Monday, June 21 - 7:30 PM

EVERYTHING YOU NEED TO KNOW ABOUT PRODUCING WEB ENTERTAINMENT: Once just a revenue and career gamble, the world of webisode creation is now becoming a vital avenue for emerging filmmakers. Not only are careers getting started both in front of and behind the webcam, but celebrity participation is on the rise. Thomas Ethan Harris moderates a panel discussion with influential web series creator-producers who provide guidance in beginning, advancing and sustaining a career in the wonderful world of webisodes. Panelists include Jim Burns, Executive Producer of Fear Clinic, FearNet.com; Illeana Douglas, Creator/Writer/Actor, "Easy to Assemble," Mark Gantt, Executive Producer/Co-Writer/Actor "The Bannen Way," Peter Hyoguchi, CEO, Strike.TV; Amber J. Lawson, Comedy Publisher at Babelgum.com, Brady Brim-DeForest, CEO of Tubefilter.com; David Fickas, Drama 3/4 Productions and others to be announced. $12 Member, $15 Student/Senior, $20 General. Buy Tickets

Wednesday, June 16, 2010

UTA LIST INTERNSHIPS 6/15

INTERNSHIPS (Film & Television)
Established and expanding entertainment production and distribution company with numerous film, music video, and commercial production credits searching for capable web management intern. Applicants should have experience and a strong knowledge of web design/development and social networking. Knowledge of graphic design, Flash, video codecs, and website analytics are a plus. Duties will include maintaining corporate website, websites for various film projects, & social media profiles, as well as supporting the executive team as needed. Schedule is flexible. Must own computer, necessary software and a reliable automobile. No phone calls please. Fax cover letter and resume to: (310) 943-1488 Attn. Human Resources, or email to: hr@treasureentertainment.net 6/15

Global Artists Agency is seeking reliable and proactive interns to start as soon as possible. Candidates must be well-spoken, have ability to multi-task, and have a willingness to learn. Interns will assist in general office duties including collecting trade clippings, writing script coverage, preparing submissions, and taking down appointments. Great opportunity to see how an agency works. Unpaid, School credit available. Opportunity for internship to turn into a Full Time paid position for the right candidate. Please email cover letter and resume to assistant@globalartistsagency.net 6/15

Established Talent Management company is seeking eager and thoughtful interns for 3 days a week at our busy office. Responsibilities include answering phones, scheduling appointments, and other office duties. This is a great opportunity to learn the inner workings of a very active company and have fun while doing it! Candidates with an interest in film preferred. Please note this is entry level and unpaid. Send resumes to:

Unpaid INTERNS for a boutique, and well respected management/production company. Duties include, knowledge of MAC, heavy phones, great phone manner, service oriented, highly organized. School credit is available. Please email resumes to: felicia@sagermgmt.com 6/15

Seeking organized, professional, discreet intern to assist with basic office duties for a Grammy Award winning musician/acclaimed actor. Flexible hours, minimum of 20 hours a week, college credit required. Stellar professional references also required. Please send resumes to intern23@gmail.com. This is not a paid position. 6/11

Night & Day Pictures (Waitress, Ball Don't Lie, Serious Moonlight) is seeking hardworking and motivated interns to start immediately. Interns will work closely in the development and production sides of the industry. Applicants should be able to read quickly, write clearly, and multitask in a fast-paced environment. Interns will gain an awareness of the inner workings of the entertainment industry through extensive exposure to executives' dealings. This internship is unpaid, but academic credit is available. Please send resumes to dana@nightanddaypictures.com. 6/11

Cinespia 2010 Screenings in Hollywood Forever Cemetery




Cinespia Cemetery Screenings is on it's 10th season of summer series (May - October).
Screenings are usually on Saturday nights with bonus nights on holiday weekends on occasion. You can bring a picnic and drinks (yes, alcohol IS permitted) PLUS a DJ spins records before and after the screening. The $10 cash donation (for grounds keeping) is comparable to the price of a theater ticket nowadays.
  • Check the calendar for monthly updates.
  • june 19: invasion of the body snatchers.
  • june 26: midnight cowboy.
The cemetery gates open at 7 PM, but come an hour early to park and cue (free street parking
or $5 on the cemetery grounds, best before 6 PM I heard) and claim your spot on the grass (bring blankets, short lawn chairs and pillows). This is first come, first serve (AKA no advance reservations required or tickets available). Show time is not until 8:30 PM, so eat, drink & be merry while the sun sets and the DJ spins music.

hollywood forever cemetery: 6000 santa monica boulevard at gower [map]

New print of Visconti's THE LEOPARD (IL GATTOPARDO)


The Film Foundation is proud to present the U.S. Restoration Premiere of Luchino Visconti's 1963 classic IL GATTOPARDO [THE LEOPARD] on Saturday, June 26th at
6:00 pm at the Los Angeles Orpheum Theatre.
We would love for your students and faculty to attend the screening. Details below.
Please let us know if you have any questions at (323) 436-5060. Many thanks!
Please click HERE to purchase tickets.

Angelus Film Festival Deadline Extended to July 1

Call for Entries Deadline Extended to July 1
Grand Prize - $10,000
...and more cash prizes, totalling over $20,000

Student Filmmakers – get your entries in. Drama, Comedy, Narrative, Documentary and Animation!

ENTRY FEE still $45 - Click here to enter now!

Winners screened at the Directors Guild Hollywood, Sept 18.

Selected winners will attend Sundance Film Festival as part ofWindrider Forum as Angelus guests.
Selected winners will also travel to Europe as part of Angelus International screenings. 2010—Italy.

What are we looking for?
The best film school/university/college films that reflect the dignity of the human person. Stories that engage the heart without the sap. Be edgy, be serious, be fun, dramatic or comedic, but above all, be original and talented. Our goal is to showcase tomorrow’s top filmmakers to the industry and beyond. Audiences need you.

Click here to submit your film


Past winners include Academy Award nominees and Sundance Jury Prize winners.

LIVE ACTION FILMMAKERS – compete for several prizes including the $5,000 Triumph of the Spirit Award, $2,500 Production Excellence or the $2,500 Fujifilm Audience Impact.

DOCUMENTARY FILMMAKERS – Past documentary jurors have included HBO Documentary directors and Academy Award nominees. Some Angelus Documentary winners have gone on to receive distribution or production deals. Really.

ANIMATION STUDENTS – Win $2,000 for your animation short. Past winners have screened at Cannes and around the world.


Read More »

Tuesday, June 15, 2010

Late Night Art | Video on the Loose: Freewaves and 20 Years of Media Arts

VIDEO ON THE LOOSE

June 26, 2010 at the LACMA plaza

Celebrate the 20th anniversary of the LA-based new media arts organization Freewaves, with international experimental media art from the past 20 years, and a preview of the new John Baldessari retrospective. Enjoy food, drinks and a live DJ!


As part of its 20th anniversary celebration, Freewaves will present Video on the Loose at LACMA’s Late Night Art Event on Saturday, June 26, 2010, from 8-11pm. The event will animate the museum’s north piazza with 20+ experimental media art works produced over the past two decades. The videos span perspectives from the identity politics of the 1990s to post-9/11 reality checks, from deep inside the mass media landscape to observations from media makers in Africa, Asia and Latin America.

The evening includes four programs, with over 20 artists’ videos that move, amuse and bewilder

Squirm: Body-related, uncomfortable but spellbinding images, sounds and narratives

Trouble: Artists willing to broach danger and take it on as a complex subject

Pop Cop: Playful and critical responses to television ads, news, and authorities

Dual/Duel: Conflicts and contrasts coming from different points of view

Each of the 20+ videos will be looping continuously on separate monitors.

Featured artists
Brooke Alfaro; Barbie Liberation Organization; Caitlin Berrigan; Jaco Bouwer; Portia Cobb; Tony Cokes; John Davis; Stephane Degoutin, Marika Dermineur & Gwenola Wagon; Matt Dibble & David Chung; James Duesing; Daniel Mason; Matthew McDaniel; Meena Nanji; Michael O’Reilly; Johanna Priestley & Joan Gratz; John Richey; Marlon Riggs; Janice Tanaka; Aaron Valdez; and Zhou Xiaohu.

Related program
A dialogue with Freewaves Director Anne Bray & media art theorist Kenneth Rogers
Art Catalogues in LACMA store at 9:15 p.m.

Join in a dialogue about the basic questions underlying the book Video on the Loose: “What are the most important changes in the medium over the last 20 years?” and “What do you want the field of media arts to become?” Bray will highlight comments by many contributors in conversation with Rogers, who wrote the book’s primary essay about the problematic history of video art.

On the occasion of its anniversary, Freewaves has published a special edition book and DVD in recognition of its two decades of promoting access to and participation in new media arts. Video on the Loose: Freewaves and 20 years of media arts raises provocative questions about the nature of the medium, while arguing its contribution to broader social processes. Artists’ perspectives are interspersed throughout. Along with the book is a DVD documenting the evolution of the media arts as a medium for activism and aesthetic experimentation. The book + DVD may be purchased at LACMA’s Art Catalogues store.

Ticketing
Tickets for the Late Night Art event are $10. Advance tickets may be purchased at lacma.org, LACMA’s Welcome Centers, or by phone at 323 857-6010. Tickets can also be purchased at the event.

Freewaves is a grassroots yet global nonprofit arts organization connecting innovative, relevant, independent new media from around the world. The organization is funded by the John D. and Catherine T. MacArthur Foundation; CHORA/Metabolic Studio/Annenberg Foundation/Lauren Bon; The Andy Warhol Foundation for the Visual Arts; The James Irvine Foundation; City of Los Angeles Department of Cultural Affairs; Getty Grant Program; Pasadena Art Alliance; National Endowment for the Arts; Los Angeles County Arts Commission; and Freewaves members.

For more information about Freewaves, visit www.freewaves.org or contact Anne Bray at
anne@freewaves.org and 323.871.1950.

Cinefamily's Comedy Shorts Showcase

6/24 @ 8:00pm / SERIES: CINEFAMILY'S 2ND ANNUAL COMEDY FESTIVAL
Cinefamily's Comedy Shorts Showcase

Co-presented by Dublab

With ready access to video equipment, more and more of the best young upcoming comics are turning to making shorts films, rather than doing stand-up or sketch comedy. In Cinefamily's 1st Annual Comedy Shorts Showcase, you'll see pieces from a typically eclectic range of sources -- from Dublab-curated music videos to the newest additions to the YouTube classics canon (in better resolution than you've ever seen!), from Sundance official selections to outsider art obscurities existing way below the radar. We cap off this night of shits 'n giggles with the hit web series Drunk History's most very special episode: "Too Drunk History!!", in which all of the filmed participants got a little too wasted to tell a cohesive history book narrative. Whether through passing out, wimping out, raging out or simply spiraling out into such sloshy babble that it demands subtitles, it's a blast to watch these sauced lecturers fail so spectacularly.

Tickets - $12/free for members

611 N. Fairfax Avenue
Los Angeles, California 90036

http://www.cinefamily.org


Screening and Q & A with Atom Egoyan

LOCATION: MOCA Grand Avenue, 250 South Grand Avenue, Los Angeles, CA 90012
6:30pm - 9:00pm
Thursday, June 24, 2010

In conjunction with Arshile Gorky: A Retrospective, MOCA and the National Association for Armenian Studies and Research (NAASR) present ARARAT (2002, 115 min.), a film within a film written and directed by Academy-Award® nominated director Atom Egoyan and starring Arsinée Khanjian, Christopher Plummer, and Eric Bogosian. This film weaves together tales about a contemporary Armenian family, artist Arshile Gorky, and a tragic part of the history of the Armenian people. The screening will be followed by a Q & A with Egoyan.
INFO 213/621-1745 or education@moca.org
FREE with museum admission; no reservations required





June 11 Internships

Seeking organized, professional, discreet intern to assist with basic office duties for a Grammy Award winning musician/acclaimed actor. Flexible hours, minimum of 20 hours a week, college credit required. Stellar professional references also required. Please send resumes to intern23@gmail.com. This is not a paid position. 6/11

Night & Day Pictures (Waitress, Ball Don't Lie, Serious Moonlight) is seeking hardworking and motivated interns to start immediately. Interns will work closely in the development and production sides of the industry. Applicants should be able to read quickly, write clearly, and multitask in a fast-paced environment. Interns will gain an awareness of the inner workings of the entertainment industry through extensive exposure to executives' dealings. This internship is unpaid, but academic credit is available. Please send resumes to dana@nightanddaypictures.com. 6/11

Small, celebrity-driven production company is looking for enthusiastic and dedicated interns. Duties include: project research, script coverage, errands, some phones and other desk work, writer lists, and other general office help. This is a great opportunity for the right person as we are very busy with numerous film and TV projects in development. Since we are a small company, the interns are an integral part of our daily operations. College credit is required and candidates must have their own laptop available for use during work. Please send resume and availability to shintern10@gmail.com. 6/8
Production/Management company located in Culver City is seeking an Intern. We produce projects and represent clients in Feature Films, Television, Animation and Comic Books, and currently have a stop-motion animation series at Disney and a feature animation at Reel FX Studios. Intern duties will include general office work, running errands, sitting in on production meetings and writing script coverage. Must be punctual, hard-working, and interested in breaking into the Entertainment Industry. Please email resumes and cover letter to ab_asst@chatrone.com 6/8
Cutting-edge Production Company seeks an intern who wants to learn about the stereoscopic 3D entertainment industry. Candidate should be creative, proactive, and detail-oriented. Excellent communication and computer skills are mandatory. Must have laptop and transportation. Responsibilities include administrative duties: scheduling, phones, filing, etc. Candidate will learn about 3D content creation, distribution, festivals and much more. Located in Hollywood next to LA Film School. Email resume and cover letter to info@3dff.org. 6/8

Immediate opening for interns in Causecast's Product, and Business Development departments. If you want a job that makes a difference, then Causecast is the place for you. We work with nonprofits, companies, Hollywood and the media; providing new ways to raise funds and engage donors. Looking for hard-workers who thrive in fast-paced and innovative environments; must have interest in online and social media. Experience a plus. Send cover letter and resume to clarajuhn@causecast.org. 6/8

Unpaid internship at a boutique media company focused on adventure TV, web and mobile integration. The company is a great environment for someone who wants to do more than simply make runs to payroll. Intern will be involved in all aspects of production, post production, and new media. Ideal candidate is organized, a self starter, interested in television and new media, and web savvy. Car required. Starts immediately, looking for someone who can work a minimum of 30 hours a week. Please send resumes to: hooktvinterns@gmail.com 6/4

International film distribution/financing/acquisition/production company based in Los Angeles (Century City) is looking for interns who can work a minimum of 16 hours per week. Seeking smart, dynamic and responsible young adults who are keen to learn about international film distribution, acquisition and financing. Foreign language skills a plus. Unpaid internship. Parking provided. Send resume via e-mail jbliahassistant@ifdcinc.com or fax 310-788-2823. No phone calls please. 6/4

Angry Films (Natural Born Killers, Bully, Apt Pupil, From Hell, Transformers 1, 2 and 3, Shoot 'Em Up, While She Was Out, Splice and Real Steel) is looking for a few highly motivated interns to assist as we move into a very active period. Job responsibilities would include, but not limited to, organization of multiple hard disks of image files, filing, rolling calls, script reading and synopsis, copying and whatever else we can throw at you. Applicants need to be computer literate, well spoken, into the zeitgeist and have the ability to multitask and be organized. Internship is unpaid. Please send cover letter and resume in body of email to angryfilmscal@gmail.com. 6/1

Jackson-Medavoy Entertainment seeks unpaid interns to start immediately for the Summer. Duties include covering desks, filing, research and script coverage. Candidates must be detail oriented and reliable. This is an excellent opportunity for anyone looking to learn about the management business. Will sign off for college credit. Please send cover letters and resumes to: JME.intern@gmail.com 6/1

Sierra Pictures, a foreign sales, independent finance and production company is looking for hard working interns to start immediately in our Beverly Hills office. Responsibilities include film festival prep, answering phones as needed, script reading/coverage, research, assisting executives and assistants, errands, and general office needs. We are looking for someone to commit to 3 or more days/week in our Beverly Hills office. Please email resumes to sierrapicturesinterns@gmail.com. NO calls please. We offer school credit to students enrolled in a recognized academic institution. 6/1


Management Company in search of bright, eager intern looking to break into the entertainment business. We are a boutique talent management company that represents clients in film, television, & theatre. Responsibilities include assisting managers, script coverage, phones, be Mac Proficient. An incredible opportunity to get your foot in the door. Must be available 2 days a week. This is an unpaid internship. Send Cover letter / Resume to jc@jcrobbinsmanagement.com 6/1

New York Office manages a spectrum of top-tier production talent including Cinematographers, Production Designers, Costume Designers, Editors and Hair & Makeup Artist. We're looking for interns in our Los Angeles office to learn the ins and outs of our agency. You will be working directly under the supervision of our agents and aiding in research, tracking and other office tasks. School credit is available. Send cover letter and resume to jm@nyoffice.net 6/1
Literary manager/producer E-SQUARED is looking for an intern who loooooves to read. This is a very specific gig -- no phones, no errands, no administrative BS. We simply have a monster pile of scripts/queries and very little time. We're looking for an organized, intelligent individual -- writers welcome to apply -- great experience for the right person. Credit Avail...and perhaps the occasional Dr. Pepper. Please email a short cover-letter and resume to esquaredasst@sbcglobal.net with "E-SQUARED READER" in the subject line. 6/1

Bulletproof Entertainment , located on the Sunset Strip and run by Ralph Sall (one of the top music producers/ supervisors in the motion picture and soundtrack industry), is in need of unpaid interns to assist with our CD library & iTunes database, record production, licensing, phone calls, office duties as well as some light computer graphics. Potential for pay/promotion and growth in company. Requirements: STRONG interest in music and film industries and strong proficiency with MAC/APPLE software. Candidate(s) should also have a good sense of humor, be able to multitask and enjoy a loud work place as we play music ALL the time. Email resume and brief letter to apply@bulletproofrecords.com 6/1

Busy boutique PR firm located in Hollywood looking for an intern to work Mon., Tues. and Wed. from 10:30 - 6:00 p.m for a 3 month minimum commitment. Must be detail-oriented, hard working, good attitude- someone who is passionate to work in PR. We work with actors, musicians, comedians, awards shows, premieres. Please submit resume to officeasst@marleahleslie.com. (Internship is un-paid, college credit only) 6/1


LA Entertainment public relations firm specializing in motion pictures, music, television and awards campaigns is looking for responsible and dedicated interns to start immediately and gain hands-on experience with filmmakers and media. Looking for students or graduate students who are interested in the entertainment industry. At least 3 months of office experience required. Must be a dedicated, reliable, articulate, and organized self-starter. This is an unpaid internship. Please contact alana@chasenpr.com 6/1